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The 367 exquisite hand-colored plates of the Hortus Eystettensis, published in 1613 with elaborate descriptions to record the palatial gardens in Eichstδtt, Bavaria, were a landmark in botanical illustration. This facsimile edition, featuring authoritative texts and a present-day classification, preserves a treasured florilegium for posterity.

Botanical Beauty

A complete facsimile edition of the three-volume Hortus Eystettensis

When Prince-Bishop Johann Konrad von Gemmingen (1593/95–1612) undertook a radical renovation of the Willibaldsburg Castle, overlooking the Altmόhl River in Eichstδtt, Bavaria, he also created a surrounding palatial pleasure garden of magnificence and grandeur. To preserve the garden for future generations – and provide an ‘evergreen’ record of its contents, compiling plants from all four seasons and presenting them in that order – he commissioned the garden’s director, Nuremberg apothecary Basilius Besler (1561–1629), and a team of engravers to immortalize its treasures in print.

The resulting Hortus Eystettensis, published in Nuremberg in 1613 and containing 367 hand-colored plates and detailed descriptions, was a work of meticulous execution and spectacular diversity, and remarkably expensive for its time. As the garden contained a variety of plants imported from exotic locales, the three volumes exhibited a remarkable range, covering a total of 90 families and 340 genera. Due to the decorative, stylized execution of these illustrations, which began to see plants in aesthetic, rather than merely practical or medicinal terms, the book is seen as a milestone in the art of botanical illustration. While published before a time of standardized classification systems, it was nonetheless later described by Carl Linnaeus as an “incomparable work”.

Besler’s catalog long outlived the gardens, which were destroyed in 1634 by invading Swedish troops during the Thirty Years’ War. However, a lengthy redevelopment project at the historic site has culminated in the opening of the modern Bastion Garden in 1998, containing many of the plants shown in the Hortus Eystettensis.

Offering high-quality reproductions of these arresting illustrations, based on the copy of the Hortus Eystettensis at the University Library of Eichstδtt-Ingolstadt, this facsimile edition is accompanied by detailed plate descriptions of each plant’s botanical, pharmaceutical, and symbolic significance and an appendix of further essays which place the garden and the book in their historical contexts.

This edition presents a valuable piece of botanical literature which, on the rare occasions where a copy appears on the market, can fetch prices of over $1,000,000

The authors
Klaus Walter Littger was deputy director of the Eichstδtt-Ingolstadt University Library, and head of the university's collection of historical books and manuscripts. In addition to essays on German language and literature, he has published numerous works on the history of libraries as well as the diocese and University of Eichstδtt, and on the history of its local music. He is also co-editor of a journal and a series on the history of the diocese.

Werner Dressendφrfer is a pharmaceutical historian, academic librarian, and former honorary Professor at the University of Erlangen-Nuremberg. His particular spheres of interest are the history of the Early Modern herbal, the cultural history of useful and medicinal plants, and plant symbolism in art. He has written extensively on pharmaceutical and botanical history, and is the author of many of TASCHEN’s botanical publications.

© Μαλλιάρης Παιδεία Α.Ε. (Γ.Ε.Μ.Η. 038272305000)

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